Driver Three

I’ve been taking an online poetry class from the UK’s The Poetry School. The tutor is Leah Umansky (@lady_bronte on Twitter), author most recently of The Barbarous Century (Eyewear, 2018).

The class, called “Only Love Studio,” is ostensibly about love poetry, but love is interpreted broadly and includes romantic love, platonic love, and love of place so the subject matter for the poems has been quite far-ranging.

It’s been a joy to be in Leah’s class. Her assignments have pushed me to write in ways I typically might not, and her feedback has been generous, encouraging and insightful. Time will tell if I get any keepers out of this class, but most assignments have produced at least one poem worthy of sharing in one form or another.

Our class of 18 students is diverse, and it’s been inspirational to see the depth of expression possible by poets of different levels. Based on my first experience, I would definitely recommend The Poetry School.

I made an audio recording of last week’s workshop poem called “1982.” It was a bit of retrospective on the experience of American high school when you’re a bit of a nerd. You can hear an early version of that poem below:

This week, I wrote “Driver Three” in response to a prompt related to “love of place.” On the surface it’s a 15-line story about a car ride (well, technically 3) that I had during a work trip to China last week. But more importantly, it’s about the necessity of trusting even in a world with plenty of evidence you should do otherwise. I struggled with it for 4 days while traveling, but when I got home my wife immediately gave me the feedback I needed to figure out how to end it.

It’s a work in progress, but you can see what I’ve got in the video below.

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